For aspiring filmmakers, the opportunity to step onto a professional film set can be both exciting and transformative. Film student Kaitlyn August recently experienced that firsthand while working on the upcoming film Boatlift 9/11, produced by Suzanne DeLaurentiis and Nathan Samdahl, and directed by Dale Fabrigar. The project tells the powerful story of the largest maritime evacuation in history — when over 500,000 people were rescued by boat from Lower Manhattan following the attacks on September 11, 2001.
As a newcomer to a large-scale production, Kaitlyn had the chance to observe multiple departments, assist the crew, and gain insight into how a film comes together behind the scenes. In this interview, she shares how she became involved in the project, what she learned on set, and her advice for others hoping to pursue a career in filmmaking.
Kaitlyn August (center) on set
How did you first get connected to the Boatlift 9/11 production, and what was your initial reaction when the opportunity came up?
My mother and Suzanne have been friends for years, and once I expressed my interest in acting and production, they both continuously supported me in pursuing those goals through different projects.
What made this project personally meaningful to you, beyond it being your first large-scale set experience?
It was especially meaningful because it was my first on-set experience. Getting to see all the extras and be involved in proofreading was exciting, and meeting the cast and crew—who were incredibly kind—helped me learn more about each department and what they do.
As someone new to a professional set, what surprised you most about how a film production operates day-to-day?
What surprised me most was how early everyone started their day and how they maintained such high energy throughout. It was really impressive—I wish I had that kind of stamina!
You had the chance to observe multiple departments—was there a moment when everything “clicked” and you saw how it all comes together?
Definitely watching the director and actors work together. Seeing them collaborate, share ideas, and even make adjustments on the spot to improve accuracy or enhance a scene really showed me how everything comes together.
Can you share a memorable moment or interaction on set that really stayed with you?
The most memorable part was meeting everyone—the actors and the entire team. They were so welcoming and offered me advice, and it felt like we had all known each other for years. It was a wonderful experience, and I hope to work with them again.
You mentioned an interest in camera work—how did this experience shape your creative perspective or future goals?
I’ve always loved writing, and this experience showed me how powerful it is to bring a story to life through the camera. Adding actors and backgrounds elevates everything and makes the story even more impactful.
What advice would you give to other young filmmakers trying to get their foot in the door, especially when opportunities feel limited?
My advice would be to take every opportunity, no matter how small. If opportunities aren’t readily available, ask around, connect with others, and search online. Just be sure to do your research, especially if something seems too good to be true.
What’s next for you in the film and TV industry?
Next, I’m hoping to continue building my experience after Boatlift 9/11 is released, eventually working on a full-length film. My dream is to be part of a horror movie, especially one produced by Blumhouse or A24—that would be incredible.
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